pumpkinbot343

Found this; apparently it’s a audition sheet for the commercial shoot in 08’: Main Character Call sheet: BLOODY MARY / Lead / Female / Caucasian / 20-30 Female 20-30 years old. Caucasian Brunette with long hair. She is not your typical all-American girl. She is young, but has character to her face. She has a very expressive face w/ her eyes being the focal point. She has interesting features such as a strong jaw line, bigger eye sockets. She will be wearing 5 prosthetic scars on her face as well as special contact lenses, so her character need to be able to come through. (Strong-willed, Confident, Evil, Ability to act with eyes.) Rate: SAG Scale plus $900 for print. Shoot/Performance Dates: June 25th and June 26th Project Notes: For the role of Bloody Mary, Talent will need to fly to Orlando for fitting and Prosthetic Make-ups on 10th and 11th. (from here: https://www.disboards.com/threads/hhn-website-updated.1879035/page-12) Also it is me or does the Mary seen in the advertisements look a bit different from the video at the event? And I’m not talking about just the hairstyle.

CREDITS Client : Resorts World Sentosa Copywriter : Ash Lim Creative Team : Chin Jen Yii, Victor Hew Marketing : Lam Xue Ying, Annie Tay, Amelia Siah Production House : Shooting Gallery Asia (Singapore) Photographer : Sebastian Siah Executive Producer : Michael Kan DI : Wishing Well Asia Got them from here: https://blog.shootinggalleryasia.com/2015/09/22/the-coming-horrors-of-the-blood-moon-exposed-by-sebastian-siah/ As prophesied since ancient times, the blood moon eclipses and all hell breaks loose on earth. Blood gushes forth from the moon and the spirits of the underworld come to torment the living, setting in motion a chain of evil. Crawlers of the under earth lure the curious. Messages from the dead haunting cloud the minds of the living as they try to run away from the blood invading their sanity. Fear-induced reactions cause mayhem as the living discover secrets from the offended dead a little too late to be spared their lives. We go loco with live action in 3D animated environments as well as sordid settings like abandoned HDBs, late night MRT settings and sacred land of the dead. The concept of the blood moon and magic in the special effects make-up was done by the team from Universal Studios Singapore, with Reel Loco Productions conceptualizing and producing the shoot, campaign assets and characters. From concept to post production, we had fun working with the Universal Studios team our third year running, coming up with characters drawn from Asian context in modern Singapore.

I mean any of them. The dates for these 2008 and 2009 parties were at October, which was not when the event opened. It also seemed to hold RIP Tours there. Though that’s just me assuming they did something special for the parties there (and the other years I guess).

Universal Orlando - Door Number Two / Jack is back - (2015) :45 (USA) The legendary Jack The Clown makes his triumphant (and twisted) return to rule over Universal Orlando’s Halloween Horror Nights in this frightening online film from TM Advertising and director Andreas Roth. The makeup on his lovely sidekick is gloriously creepy, nicely done, makeup artists. Heralded as “the nation’s premiere Halloween event,” Halloween Horror Nights puts visitors in the middle of the some of the most iconic and intense moments in horror film history, with this year’s 25th anniversary promising to be the most glorious – and goriest – incarnation to date. In this we're playing a little game of which door shall open first, the one with Freddie? The one with the Zombies? The one with Jason? Looks like Jack always wins this game, no matter what. Spot Title: “Door Number Two” Agency/Location: TM Advertising / Dallas, TX Creative Directors: Chris Bettin; Marc Mintle Agency Producer: Hal Dantzler Production Company: RSA Films Inc. / Los Angeles, CA Director: Andreas Roth Director of Photography: Roland Stuprich Executive Producer: Marjie Abrahams Line Producer: Lynee Pateman Production Company (location): Pioneer Productions Kft. / Budapest, Hungary Producer: Eszter Répássy EDITORIAL Editorial Company: CharlieUniformTango / Dallas, TX Editor: Jack Waldrip Executive Producer: Mary Alice Butler https://adland.tv/adnews/universal-orlando-door-number-two-jack-back-2015-45-usa Concept art By Allan Portilho

Director: Brian Weber DP: Joshua Reis Promo video for the 2008 Universal Studios Halloween Nights at Universal Studios Hollywood. A different version; with the tag line “Freddy Krueger’s Loose on the Backlot”. By Hive24Design By Faina Karasik. The other three are by Purple Red. TV Commercial produced for the annual Halloween Horror Nights theme park spectacular, located in Universal Studios Singapore, Resort World Sentosa. Watch a young couple wander into the demented world of the Puppet Master but beware even in death, there are strings attached! Client: Universal Studios Singapore, Resort World Sentosa Agency & Production/Post Studio: TheMomentum Executive Producer: Pervyn Lim Screenplay, Concept & Director: Kenny Ong Producer: Hazel Ngiam Assistant Directors: Jason Tay, Winfred Kwan Director of Photography: Gerald Stahlmann Talents: Rihanna, Leo and the Cast of Halloween Horror Nights 2 Editor: Ted Pang Graphics: Winfred Kwan Sound Designer/Engineer: Marcus Lin Color Grading: Christine Dumaguin, Ted Pang 3D: Kuodo

From Aiello’s old tumblr.

Id rather this thread not derail into conversations regarding the logistics of the film studios and theme parks; realistically I don’t see the studios being interested enough to make a film based on characters like Jack, Albert, Mary or Julian. (And lets not even get into the Bloody Mary licensing thing; lets they say they somehow resolved it). instead I want this thread to talk about the QUALITY of HHN Films. Instead of being discussions of “can they make films on the Icons”, it should be more “Should they” and “could it be good?”. Lets say for a scenario Universal for whatever reason decided to make films, shows or whatever media on the Icons and and other characters like Cindy and Eddie. What do you think would be the right way to do these characters? Should be standalone? Shared Universe like the Marvel and DC Cinematic Universes?

2002’s Town Square.

Pics were from Dean Karr’s myspace page. The Tarot Cards from 2007. The Hotel Commercial for Orlando 2007. Behind the scenes photos from creativeopost.com Concept art photos from creativeopost.com Orlando’s billboard that year. From “Clear Channel Outdoor Blog”. By Hive24Design; relating to Hollywood’s event the same year.

Thanks for the chiming in people! As someone who doesn’t understand how the budget works for the events; do you know why Hollywood is so cheap-looking nowadays? I would think since the event is next to an operating film studio; they would, you know, not have as much black walls. BTW, Wasn’t Freddy’s house in Hollywood 2007 and 2008 just a repeat of 2006’s Asylum but with Freddy in it?

This was reused for 2011 in Hollywood and I think 2013’s Evil Takes Roots campaign.

Director: Shaun Yeo DOP: Teck Production House: Reel Loco Client: RWS Meet the Sisters of Evil...three scary ladies brought to you from the depths of Universal Studio¹s Singapore. This year we were honored to produce the USS Halloween Horror Nights promo commercials. That consists of 4 spots, one for each character and one for all three. The brief was to depict as true-to-life as possible, what visitors would experience in the theme park during the Halloween Horror Nights in Resorts World Sentosa, Singapore. Three videos were designed to each portray a thematic/character’s origin. The characters were Maiden of the Opera, The Daughter of the Undead & The Crone of the Forrest. These commercials were a real "trick n’ treat" to produce. It was a treat because we were able to access to the Universal Studios Singapore’s expert costume and make-up team that did an impressive job enhancing the characters to life. Tricky because alot of testing and CG animation forethought had to be belaboured to find the best locations and set design them accurately in order to film with the right angles and lighting to make the "horrific" effect heightened. On top of that, all four spots were filmed over one 24 hour period! Through all the hard work and long hours we were able to deliver and exciting experience for the viewer. We hope you enjoyed your trip to USS Halloween Horror Nights this year and we hope our commercials prepared you for the frightening experience. Client: Resorts World Singapore Director: Shaun Yeo DOP: Teck Siang 2nd Unit Camera : Terrance Tan The three evil sisters from Halloween Horror Nights 3 haunt the newsrooms of Mediacorp and Singapore Press Holdings.

Looking at the Director years of 2003, 2006, and 2011; his role in the events overseas keeps getting worse. Orlando 2003 Was present in the marketing (including creepy commercials featuring the jester and bathtub victims), had a show called Infestation and a house called All Nite Die In. However Infestation was just Fear Factor, and the house wasn’t really dedicated to him, it was based on Freddy, Jason, Leatherface, and Michael Myers. Hollywood 2006 Adverts unnecessarily reused a lot of the 2003 content, and in the event itself he only had the Terror Tram, although it was better than All Nite Die In in that it revolved around his “films”. However I saw from some videos that he only appeared in-person at the very end before the Mummy’s tomb; but it was too dark to see where he was. Singapore 2011 Just a single photo-op. What was the point of using him as an icon?

Bloody Mary from the media event ceremony opening night at 2008. Statue used for gift shop. Third photo is by Jim McCrary Wonderland and Fractured Tales costumes. Also by Jim McCrary.

Hell not even the DIRECTOR is on the “event guide”. What the hell? They should have no problems with this.

Airing throughout Florida, the commercial debuted on Sept. 30 and concludes on Halloween night. Amanda Evans directed the spot via Tight, Santa Monica, for agency davidandgoliath (dng), Los Angeles. Jonathon Ker executive produced for Tight, with freelancer Bridget Blake-Wilson serving as line producer. The DP was Ross Richardson. The dng team consisted of creative directors David Angelo and Liz Gumbinner, copywriter Melissa Pipeling, art director Anne Bioty and producer Erin Sullivan. Editor was freelancer Alycia Daniels, who worked through Union Editorial's facility in Santa Monica. Online editors were Todd Iorio and Seth Silberfein of Union Editorial. Colorist was Mike Pethel of Company 3, Santa Monica. Audio mixer was Matt Lewkowicz of Union Editorial. Visual effects were done by Sway, Los Angeles, and Union Editorial. Sound designers were Jon Klok of Agent Jackson, New York, and Union's Lewkowicz. Music composer was Michael Fitzpatrick of Agent Jackson. Principal actors were Shannon Wells (The Storyteller) and Donovan McGrath (nail victim). Production credits from here: https://www.shootonline.com/news/share/33411

Around 1:00-1:30. I figured it sounded similar.

I’m curious how the quality of the houses in Orlando compared to Hollywood’s.

Bumping this thread, cause I was looking at pics of the 2020 tribute store and I came across this. This was not the actual event guide they had in 2008. They seriously are unable to mention the character directly, even through past paraphernalia?

you can faintly hear Epiphanic Evelyn from the 1999 House of Haunted Hill soundtrack in the opening segment with the Caretaker.

I think it might also be “Welcome Aboard” from John Frizzell; Ghost Ship.

IDK. I’m looking at it now and all the pics are showing.

None of these belong to me. Credited to dreamworlds