pumpkinbot343
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Posts posted by pumpkinbot343
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I mean any of them.
The dates for these 2008 and 2009 parties were at October, which was not when the event opened. It also seemed to hold RIP Tours there. Though that’s just me assuming they did something special for the parties there (and the other years I guess).
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Universal Orlando - Door Number Two / Jack is back - (2015) :45 (USA)
The legendary Jack The Clown makes his triumphant (and twisted) return to rule over Universal Orlando’s Halloween Horror Nights in this frightening online film from TM Advertising and director Andreas Roth. The makeup on his lovely sidekick is gloriously creepy, nicely done, makeup artists.Heralded as “the nation’s premiere Halloween event,” Halloween Horror Nights puts visitors in the middle of the some of the most iconic and intense moments in horror film history, with this year’s 25th anniversary promising to be the most glorious – and goriest – incarnation to date. In this we're playing a little game of which door shall open first, the one with Freddie? The one with the Zombies? The one with Jason? Looks like Jack always wins this game, no matter what.
Spot Title: “Door Number Two”
Agency/Location: TM Advertising / Dallas, TX
Creative Directors: Chris Bettin; Marc Mintle
Agency Producer: Hal DantzlerProduction Company: RSA Films Inc. / Los Angeles, CA
Director: Andreas Roth
Director of Photography: Roland Stuprich
Executive Producer: Marjie Abrahams
Line Producer: Lynee PatemanProduction Company (location): Pioneer Productions Kft. / Budapest, Hungary
Producer: Eszter RépássyEDITORIAL
Editorial Company: CharlieUniformTango / Dallas, TX
Editor: Jack Waldrip
Executive Producer: Mary Alice Butlerhttps://adland.tv/adnews/universal-orlando-door-number-two-jack-back-2015-45-usa
Concept art By Allan Portilho
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Director: Brian Weber
DP: Joshua ReisPromo video for the 2008 Universal Studios Halloween Nights at Universal Studios Hollywood.
A different version; with the tag line “Freddy Krueger’s Loose on the Backlot”.
By Hive24Design
By Faina Karasik. The other three are by Purple Red.
TV Commercial produced for the annual Halloween Horror Nights theme park spectacular, located in Universal Studios Singapore, Resort World Sentosa.
Watch a young couple wander into the demented world of the Puppet Master but beware even in death, there are strings attached!Client: Universal Studios Singapore, Resort World Sentosa
Agency & Production/Post Studio: TheMomentum
Executive Producer: Pervyn Lim
Screenplay, Concept & Director: Kenny Ong
Producer: Hazel Ngiam
Assistant Directors: Jason Tay, Winfred Kwan
Director of Photography: Gerald Stahlmann
Talents: Rihanna, Leo and the Cast of Halloween Horror Nights 2
Editor: Ted Pang
Graphics: Winfred Kwan
Sound Designer/Engineer: Marcus Lin
Color Grading: Christine Dumaguin, Ted Pang
3D: Kuodo -
From Aiello’s old tumblr.
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Id rather this thread not derail into conversations regarding the logistics of the film studios and theme parks; realistically I don’t see the studios being interested enough to make a film based on characters like Jack, Albert, Mary or Julian. (And lets not even get into the Bloody Mary licensing thing; lets they say they somehow resolved it).
instead I want this thread to talk about the QUALITY of HHN Films. Instead of being discussions of “can they make films on the Icons”, it should be more “Should they” and “could it be good?”.
Lets say for a scenario Universal for whatever reason decided to make films, shows or whatever media on the Icons and and other characters like Cindy and Eddie. What do you think would be the right way to do these characters? Should be standalone? Shared Universe like the Marvel and DC Cinematic Universes?
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2002’s Town Square.
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Pics were from Dean Karr’s myspace page.
The Tarot Cards from 2007.
The Hotel Commercial for Orlando 2007.
Behind the scenes photos from creativeopost.com
Concept art photos from creativeopost.com
Orlando’s billboard that year. From “Clear Channel Outdoor Blog”.
By Hive24Design; relating to Hollywood’s event the same year.
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Thanks for the chiming in people!
On 3/11/2021 at 7:43 PM, zombieman said:Hollywood has soundstages, as it is an operating movie studio. And I'm not talking about wrestling events. In the pre-2006 days they used these, and the results were very good.
They have done a couple of houses in a backlot SS, and this has been very disappointing.
They had the opportunity to do AWIL in a soundstage, but they chose to put AVP in it instead. Creative decision, but AWIL suffered greatly, being put in the smaller JP queue.
So what else did Hollywood choose to put in the backlot SS? Black freaking Sabbath. A 3D house that could have gone anywhere. What a waste.
Stranger Things also got to be in a different soundstage, and of course it looked incredible as it was a headliner property.
As someone who doesn’t understand how the budget works for the events; do you know why Hollywood is so cheap-looking nowadays? I would think since the event is next to an operating film studio; they would, you know, not have as much black walls.
BTW, Wasn’t Freddy’s house in Hollywood 2007 and 2008 just a repeat of 2006’s Asylum but with Freddy in it?
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This was reused for 2011 in Hollywood and I think 2013’s Evil Takes Roots campaign.
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Director: Shaun Yeo
DOP: Teck
Production House: Reel Loco
Client: RWSMeet the Sisters of Evil...three scary ladies brought to you from the
depths of Universal Studio¹s Singapore.
This year we were honored to produce the USS Halloween Horror Nights promo
commercials. That consists of 4 spots, one for each character and one for all three.
The brief was to depict as true-to-life as possible, what visitors would
experience in the theme park during the Halloween Horror Nights in
Resorts World Sentosa, Singapore.
Three videos were designed to each portray a thematic/character’s origin.
The characters were Maiden of the Opera, The Daughter of the Undead &
The Crone of the Forrest.These commercials were a real "trick n’ treat" to produce. It was a treat
because we were able to access to the Universal Studios Singapore’s expert
costume and make-up team that did an impressive job enhancing the characters to life.
Tricky because alot of testing and CG animation forethought had to be belaboured to
find the best locations and set design them accurately in order to film with the right angles
and lighting to make the "horrific" effect heightened. On top of that, all four spots
were filmed over one 24 hour period!Through all the hard work and long hours we were able to deliver and
exciting experience for the viewer. We hope you enjoyed your trip to USS
Halloween Horror Nights this year and we hope our commercials prepared you
for the frightening experience.Client: Resorts World Singapore
Director: Shaun Yeo
DOP: Teck Siang
2nd Unit Camera : Terrance Tan
The three evil sisters from Halloween Horror Nights 3 haunt the newsrooms of Mediacorp and Singapore Press Holdings.
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Looking at the Director years of 2003, 2006, and 2011; his role in the events overseas keeps getting worse.
Orlando 2003
Was present in the marketing (including creepy commercials featuring the jester and bathtub victims), had a show called Infestation and a house called All Nite Die In. However Infestation was just Fear Factor, and the house wasn’t really dedicated to him, it was based on Freddy, Jason, Leatherface, and Michael Myers.
Hollywood 2006
Adverts unnecessarily reused a lot of the 2003 content, and in the event itself he only had the Terror Tram, although it was better than All Nite Die In in that it revolved around his “films”. However I saw from some videos that he only appeared in-person at the very end before the Mummy’s tomb; but it was too dark to see where he was.
Singapore 2011
Just a single photo-op. What was the point of using him as an icon? -
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Bloody Mary from the media event ceremony opening night at 2008.
Statue used for gift shop. Third photo is by Jim McCrary
Wonderland and Fractured Tales costumes. Also by Jim McCrary.
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Hell not even the DIRECTOR is on the “event guide”. What the hell? They should have no problems with this.
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Airing throughout Florida, the commercial debuted on Sept. 30 and concludes on Halloween night. Amanda Evans directed the spot via Tight, Santa Monica, for agency davidandgoliath (dng), Los Angeles.
Jonathon Ker executive produced for Tight, with freelancer Bridget Blake-Wilson serving as line producer. The DP was Ross Richardson.
The dng team consisted of creative directors David Angelo and Liz Gumbinner, copywriter Melissa Pipeling, art director Anne Bioty and producer Erin Sullivan.
Editor was freelancer Alycia Daniels, who worked through Union Editorial's facility in Santa Monica. Online editors were Todd Iorio and Seth Silberfein of Union Editorial. Colorist was Mike Pethel of Company 3, Santa Monica. Audio mixer was Matt Lewkowicz of Union Editorial.
Visual effects were done by Sway, Los Angeles, and Union Editorial. Sound designers were Jon Klok of Agent Jackson, New York, and Union's Lewkowicz. Music composer was Michael Fitzpatrick of Agent Jackson.
Principal actors were Shannon Wells (The Storyteller) and Donovan McGrath (nail victim).
Production credits from here: https://www.shootonline.com/news/share/33411 -
8 hours ago, DarkLegend said:
I could only figure out "Awakening" from this vid. What media/link are you referencing? I'll take a look at it.
Nice ID on this! I never paid attention to the audio in this clip. Looks like "Pencil Neck" is what plays before "Epiphanic Evelyn". Wish the full opening scaremony was available. There's definitely some tracks playing based on the brief snippets of the Caretakers entrance and exit (wouldn't doubt it's more HoHH music haha).
Around 1:00-1:30. I figured it sounded similar.
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I’m curious how the quality of the houses in Orlando compared to Hollywood’s.
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Bumping this thread, cause I was looking at pics of the 2020 tribute store and I came across this. This was not the actual event guide they had in 2008. They seriously are unable to mention the character directly, even through past paraphernalia?
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you can faintly hear Epiphanic Evelyn from the 1999 House of Haunted Hill soundtrack in the opening segment with the Caretaker.
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On 10/15/2020 at 10:06 PM, DarkLegend said:
Awakening – Midnight Syndicate (Vampyre: Symphonies from the Crypt), Nightmare's Stage BGM
I think it might also be “Welcome Aboard” from John Frizzell; Ghost Ship.
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15 hours ago, Panacea said:
I don't know if it's just me, but these pictures aren't appearing at all.
IDK. I’m looking at it now and all the pics are showing.
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None of these belong to me.
Credited to dreamworlds
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For the sake of it I’m translating the whole thing; so I’ll just highlight the sentence I’m most interested:
http://web.archive.org/web/20080919052219/http://media.universalorlando.com/halloween/pressreleases/website.htm
COME INTO THE MIRROR, MY DEAR…THIS WON’T HURT A BIT
Halloween Horror Nights Website Pulls Guests into the World of Bloody Mary,
Long Before They’ll Meet Her in PersonOrlando, FL (September 9, 2008) – Chanting her name lures you through the mirror. A mesmerizing, swirling portal guides you through each world. You explore – nervous of what you might find, unsure of where Mary is taking you. Your own heartbeat quickens, but you can’t seem to draw yourself away from the spinning vortex. Did something just blink at you?
This is the Halloween Horror Nights 18 website and it’s unlike anything Universal Orlando has done before. Universal set out to redefine Halloween Horror Nights this year, and needed a website capable of communicating the new scope and level of detail for the event. Reflections of Fear, an application on the website, offers a multisensory, interactive experience through this year’s event. For the first time ever, users can sit at their computers and navigate through what they’ll experience at Halloween Horror Nights 18.
“The website heightens the anticipation of coming to Halloween Horror Nights 18 by delivering pieces and parts of the event to the consumer at home,” said T.J. Mannarino, director of entertainment for Universal Orlando. “What people are seeing online, they will experience at this year’s event.”
The application features over 60 hand drawings and about 200 individual files that create an illusion similar to a flip book. The files come together to simulate movement through each world of Urban Legends, Fears, Myths, Tales and Nightmares. The audio behind the imagery exists on three different levels: the general background music, atmospherics (i.e., glass shattering, thunder, horses whinnying, etc.) and sound bites (i.e., Bloody Mary, a spaceship alert, classroom chatter, etc.).
Consumers can navigate through the Reflections of Fear application, purchase tickets to the event, learn more about Halloween Horror Nights 18 and view a sneak peek of this year’s television commercial at http://www.halloweenhorrornights.com/orlando.
Regular admission to Halloween Horror Nights is $69.99 plus tax. Get tickets online, at the Universal Studios Florida front gate or by calling 888-HORROR-7.
Universal Orlando Resort
Universal Orlando Resort has created some of the world’s most innovative theme park attractions based on pop culture’s most compelling films and stories. Guests experience two exciting theme parks – Universal Studios and Islands of Adventure as well as Universal CityWalk, a 30-acre restaurant, shopping and nighttime entertainment complex; and three magnificently themed on-site Loews hotels – the Loews Portofino Bay Hotel, Hard Rock Hotel and the Loews Royal Pacific Resort. Flagship experiences featured in the theme parks include “The Simpsons Ride,” “Revenge of the Mummy – The Ride,” “The Incredible Hulk Coaster” and “The Amazing Adventures of Spider-Man.” More information is available at www.universalorlando.com.
MEDIA CONTACT: Universal Orlando Public Relations
(407) 363-8220End of transcript.
when I had a computer, I remember going through the archived 2008 website here and the artwork (I guess concept art) was not accessible. Reaper’s 2008 audio mix contained some of the website audio (I believe it was the Fractured Tales music box, Dead Exposure zombies effect, and Interstellar Terror) but not all. I know the Bloody Mary sound effect was not there. Is there anyone here who saved those files?
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what is the music that’s playing here?
Commercials for HHN
in General Halloween Horror Nights - Orlando
Posted · Edited by pumpkinbot343
CREDITS
Client : Resorts World Sentosa
Copywriter : Ash Lim
Creative Team : Chin Jen Yii, Victor Hew
Marketing : Lam Xue Ying, Annie Tay, Amelia Siah
Production House : Shooting Gallery Asia (Singapore)
Photographer : Sebastian Siah
Executive Producer : Michael Kan
DI : Wishing Well Asia
Got them from here: https://blog.shootinggalleryasia.com/2015/09/22/the-coming-horrors-of-the-blood-moon-exposed-by-sebastian-siah/
As prophesied since ancient times, the blood moon eclipses and all hell breaks loose on earth. Blood gushes forth from the moon and the spirits of the underworld come to torment the living, setting in motion a chain of evil.
Crawlers of the under earth lure the curious. Messages from the dead haunting cloud the minds of the living as they try to run away from the blood invading their sanity. Fear-induced reactions cause mayhem as the living discover secrets from the offended dead a little too late to be spared their lives.
We go loco with live action in 3D animated environments as well as sordid settings like abandoned HDBs, late night MRT settings and sacred land of the dead. The concept of the blood moon and magic in the special effects make-up was done by the team from Universal Studios Singapore, with Reel Loco Productions conceptualizing and producing the shoot, campaign assets and characters. From concept to post production, we had fun working with the Universal Studios team our third year running, coming up with characters drawn from Asian context in modern Singapore.