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pumpkinbot343

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Posts posted by pumpkinbot343

  1. On 8/5/2018 at 3:01 AM, RockinSight said:

     

     

    Shows:

    The Carnival of Carnage

    Pre-Show

    • Dark Carnival by Paul Roland - Pavane album
    • (Don't Fear) The Reaper by Blue Öyster Cult - Agents of Fortune album
    • Within by KISS - Psycho Circus album

    Show

    • Intro by Korn - Untitled album (The first scene in the show where the girl and the security guard are looking for her friends)
    • Psycho Circus by KISS - Psycho Circus album (Jack the Clown's first appearance)
    • A Party for Me by Marc Shaiman - The Addams Family (1991) Soundtrack (When Jack introduces his "Troupe" and the "Security Stretcher" scene)
    • Circus Music by Richard Bellis - Stephen's Kings IT Original Motion Picture Soundtrack (When Jack tells Tiny to drag "Zac Effron's" ass out of the cage)
    • Be a Clown by Judy Garland & Gene Kelly - The Pirate Musical (Paint the "volunteer" into a clown)
    • Unknown song playing when Dr. Panetti is searching for the laughing place
    • Carnaval Underground by Danny Elfman - Clive Barker's Nightbreed Original Motion Picture Soundtrack (When Jack asks for the victim's opinion on the show as well as when he catches Dr. Panetti playing doctor with Chance.)
    • Main Title - Stephen King's IT by Richard Bellis - Stephen King's IT: Soundtrack from the Television Motion Picture (Plays when Jack picks the second card and drags out the next "volunteer")
    • Unknown Circus/Carnival type music playing duriing the "Woodchipper" bit
    • Big Bad Clown by Richard Bellis - Stephen's Kings IT Original Motion Picture Soundtrack (Jack breaking the jaw of the chivalrous "volunteer")
    • Storm by Nox Arcana - The Carnival of Lost Souls album (plays during the "Hammer Time" scene)
    • Trust by Megadeth - Cryptic Writings (plays when they're preparing the Aztec Spikes of Death)

    Post-Show

    • Blood by My Chemical Romance -The Black Parade album

     

     

    If there is anything that I'm missing, feel free to add on to the list!

     

     

    If you listen you can briefly hear small snippets of “The Joker’s Poem” and a piece from Batman Returns around where Jack introduces Chance.

  2. I already started a similar thread some time back; and I know someone already did HHN videos of the websites on YouTube, but just in case (and because there’s nothing really much to talk about); is there anyone who reads this who happened to have backup of the files? I’m talking like images, sound files (mp3), videos, etc.

  3. I discovered an old forum thread that detailed the scenes of Screamhouse. From here:
     

    The Scream House line was about 20 minutes by the time we reached it. A large banner hung from the building with the Caretaker beckoning the guests. On the side of the studio a light shown that read Scream House: Your Time Has Come. The line featured stone gargoyles, bodies strewn aside, and cobwebbed trees. The entrance to the studio had a graveyard painted above the opening to the studio. Once inside, you find yourself in the front yard of the Scream House with what can be called a preshow. There was a video depicting newspaper articles of the events that had occurred, the bloodied bodies found in the kitchen, and, of course, the Caretaker staring you down. The premise of this maze is one that is truly chilling after you watch the video and get into the maze.

     

    You enter through the front door into a room with a piano, which appears to be playing itself. To the right, there is a dark corner, you can't really make out what's there, but before you find out a ghoul leaps out. You wander the corridors of a ragged house: wallpaper tearing and old family pictures crooked. As you turn the corner and prepare to enter the kitchen, a body dangles by a noose in a deep closet that gives the actor something to hide in. The kitchen is a grisly scene. Bodies strewn everywhere, mad doctors behind blood stained curtains, and even a mutilated body that looks fake but is actually an actor. You exit this area into the pantry, one of the shelves with food slides back and reveals an actor that produces a loud burping sound.
     

    From here there are a series of zig zag pathways. At the end of each path there would be a dimly lit scene. In the dark paths, there were free-roaming actors (some with chainsaws) and wet body bags. After more halls, you enter a courtyard with small cells and troubled people wandering the yard. You reenter the final leg of the house. The background music, which was faint before, was now getting more intense. You could hear what it was saying now, it was the Caretaker discussing evil and how to disassemble a body. It intensified and ghouls came out of every dark corner. An actor peeked out of a wall of face skin. As I came to the end I saw the Caretaker ahead of me his infamous tool. All of a sudden he lurched forward, but I soon realized I was looking at a mirror and he was actually coming up behind me. As he snapped his tool, he proclaimed, "Your time has come! We exited the maze, and there was an employee asking everyone if they were ok. 
     

    We decided to give the maze another go since that was probably as short as it would get all night, which now had a wait of 45 minutes. By now, a sideshow act was going on in line. It was a reptile man whose main act was to have a snake go through his nose and out his mouth. He also did such acts like escaping from a straightjacket and getting darts thrown into his back.

  4. Universal Studios | Halloween
    Universal Studios Halloween Horror Nights’ character, the Director, was brought to life in this integrated campaign that won a 2007 Reggie Award. To make this sociopath seem as real as possible, amateur-style webisodes were shot in-house and we created a MySpace page with constant updates and rambling blogs from the Director.

    hhn.homepage_o.pnghhn.director_o.pnghhn.event_o.pnghhn.productions_o.pnghhn.scream_o.pnguniversalstudios_myspace_o.png

    Obtained these vids and images through the website of Creative Director/Writer Jim DiPiazza.

     

    Universal_03.jpgBy Hive24Design.

     

    https://www.donaldandrews.tv/universal-studios-halloween-horror-nights-the-director

     

    I can’t share it directly here; but the link above shows the official commercial with the tag line “Will You Make the Cut?”.

     

    Editor

    CLIENT:  Universal Studios

    AGENCY:  David&Goliath  Los Angeles

    Chief Creative Officer:  David Angelo

    Associate Creative Director / Art Director:  John Figone

    Creative Director / Copywriter:  Jim DiPiazza

    Senior Producer:  Maresa Wickham

    Assistant Producer:  Jane Krull

    PRODUCTION COMPANY:  Dean Karr

    Director:  Dean Karr

    EDITORIAL COMPANY:  Spinach Editorial

    Commercial Editor:  Donald Andrews

    Web Content Editor:  Adam Bright

    Assistant Editor:  Art Castle

     

    Don-Donald-Andrews_Universal_Studios_Hal

  5. Reel Loco’s notes:

    As scripted, boarded, and shot, the idea was bifurcated into two spots, both offering a similar shock of demonic transformation prefaced by aspirational politicking. The first spot was an online and in-part only teaser while the second was a 30sec main TVC for full release that detailed a more thorough demonic transformation. The teaser opens with a family at home watching our anti-hero Jonah Goodwill give a campaign speech, then we follow him as he leaves the TV studio and eery and unsettling things happen!

    The main spot begins with Jonah on the way to a victory reception, complete with red carpet and crowds of cheering fans. Only once he's inside, all hell breaks loose! When it came time to do a director's cut, we felt that combining the two separate stories into one unified spot would tell a stronger story. That was the outline for our approach to the cut along with the desire to add in some other shots and effects to exaggerate the uneven cadence of the edit and give it an edgier and more frightening feel, plus we included an explosion.

    This project had many tricky technicalities that was a treat for us to work on as a team. It was a significant milestone to conquer and learn from pre-shoot to post. Universal Studios Singapore's (USS) brief was the graphical introduction of a singular "Minister of Evil". Reel Loco had to come up with the story of how the character would introduced into Halloween Horror Nights 2014.

    Shot on a blue screen with multiplied characters, the production team had to plan construction of the boarded stairs and how they would fore-fit into animation effects. Multiple tests had to be simulated to achieve the right make up plus graphical combination. The spread wings, cityscape and cracked follow-frame floor with flames were all built in post production. We were privileged to be able to work with the gifted costume and make-up team from USS that made the animation process so much more enjoyable.

     

    Client: Resorts World Singapore
    Director: Shaun Yeo
    Motion Graphics: Tan Chee Hong, Suhaimi Hanafi, Xin Tse, Zubaidah Bartia
    Edit & Color Grade: Matthew Knoch
    Smoke Artist: Jane Looh

     

     

  6. Can I change the title to “Advertisements for HHN”?


    Anyway, these are credited to Jess Punch, who played the icon “Daughter of the Undead” for Singapore’s event in 2013 (and so that character is the forefront for most of these; which are behind the scenes shots of the commercial and publicity photos.

    326b599c6298b92eeccc6360b14f26633cf05c829cffefa88181840d164f324a5e8412126ae21b4d1525562_10151940151652424_729304905_n.jp1530370_10151940152387424_2107729901_n.j1544391_10151940152697424_41075568_n.jpg1536620_10151940152917424_1667949369_n.j7991_10151940165207424_497027537_n.jpg?_1606916_10151940165452424_41636003_n.jpg1017289_10151940165542424_380088807_n.jp1010467_10151940169847424_556446153_n.jp1557608_10151940171657424_85598955_n.jpg1601562_10151940179722424_1142987009_n.j1509259_10151940180017424_1207585959_n.j1528763_10151940180237424_562124663_n.jp1528734_10151940180767424_31023231_n.jpg1502553_10151940181152424_1598326755_n.j1526192_10151940181217424_1139437363_n.j74337_10151940181697424_1663934181_n.jpg1486590_10151940181812424_77189882_n.jpg1604657_10151940182342424_1440608767_n.j1012257_10151940188807424_391766546_n.jp1538640_10151940188972424_1239773019_n.j539d384ba7501cdd0ae2bf146b03e62e55237e729567b5bac1ca3d1d666cc84e26fde2e931e3c358501a199abf3a627952a6b3a7a98dabbe7c1280eb9f7dc2ac91c5ac1ee23d0865ba69807afd6b0f9b9e61de44543dd42e59487a16dba088d7ceae83db74456291743cd98493b06648e2122f7f0b739b8651d493b71660ee3950da7ddba648cecbf2d39650b5da97a8d679b33a767a8995616ff59ff21614cd31ee577a3d5b01a11a9a175e1c3afe6e2d842f17

  7. 2 hours ago, HorrorUnearthed said:

    Don't remember much of Usher's but Mary's was usually shown on the buildings, one of the vivid ones I remember was the building by where Transformers is now, she was seen sometimes on there. Just images that would fade in and out of her eyes or closeups.

    I looked on Flickr to see if they had any images; and by the looks of it you’re right.

    3363137814_6dbbc83b68_b.jpg2971904481_07516b124b_o_d.jpg2972750828_c47534b41e_o_d.jpg2971904825_1d756be182_o_d.jpg2971905015_966164a7b8_o_d.jpg2992539838_0ca580d57e_o_d.jpg

    (Credit to “Daniel”, “coasterdave” and “teatoe”.)

  8. On 1/10/2021 at 5:24 PM, pumpkinbot343 said:

     

    Here’s the one on YouTube; only difference is that the Vimeo txt and the end was BLOODY MARY COMES ALIVE instead of WE DARE YOU here. 

    Found this; apparently it’s a audition sheet for the commercial shoot in 08’: 

     

    Main Character Call sheet:

    BLOODY MARY / Lead / Female / Caucasian / 20-30
     Female 20-30 years old. Caucasian Brunette with long hair.
     

    She is not your typical all-American girl. She is young, but has character to her face. She has a very expressive face w/ her eyes being the focal point. She has interesting features such as a strong jaw line, bigger eye sockets. She will be wearing 5 prosthetic scars on her face as well as special contact lenses, so her character need to be able to come through. (Strong-willed, Confident, Evil, Ability to act with eyes.)


     Rate: SAG Scale plus $900 for print.
      Shoot/Performance Dates: June 25th and June 26th 
     Project Notes: For the role of Bloody Mary, Talent will need to 
    fly to Orlando for fitting and Prosthetic Make-ups on 10th and 11th.

     

    (from here: https://www.disboards.com/threads/hhn-website-updated.1879035/page-12

     


    Also it is me or does the Mary seen in the advertisements look a bit different from the video at the event? And I’m not talking about just the hairstyle.

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