pumpkinbot343

Photo by Wilbur Wilson. Concept art for 2008’s Skoolhouse.

Video from here. https://www.creativeopost.com/Holloween-Horror-Nights-/

I think this is his twitter: https://twitter.com/theNickChandler

https://m.youtube.com/watch?v=xEXjlUiRU5U Hey @dkrfla could you identify the carnival music playing at the Midway segment?

As of July 12, 2021 the site is down. So asking again; anyone manage to have file backups? Thanks anyway.

At the very beginning; there seems to be a cover of the Monster Mash and another song I can’t identify.

From videos online I managed to obtain: * Ben Techy- Time Flies (2000 parade) * Snakefood and Everything from Safri Boys (2001 parade) Could anyone help me find the other tracks?

If you listen you can briefly hear small snippets of “The Joker’s Poem” and a piece from Batman Returns around where Jack introduces Chance.

I used it before, but for a few days now in both phone and laptop the site is not registering. I read on twitter that HHNRUMORS helped with the site revamp, could someone contact them and explain the problem?

All from Airtime Central via Wayback Machine

I already started a similar thread some time back; and I know someone already did HHN videos of the websites on YouTube, but just in case (and because there’s nothing really much to talk about); is there anyone who reads this who happened to have backup of the files? I’m talking like images, sound files (mp3), videos, etc.

I discovered an old forum thread that detailed the scenes of Screamhouse. From here: The Scream House line was about 20 minutes by the time we reached it. A large banner hung from the building with the Caretaker beckoning the guests. On the side of the studio a light shown that read Scream House: Your Time Has Come. The line featured stone gargoyles, bodies strewn aside, and cobwebbed trees. The entrance to the studio had a graveyard painted above the opening to the studio. Once inside, you find yourself in the front yard of the Scream House with what can be called a preshow. There was a video depicting newspaper articles of the events that had occurred, the bloodied bodies found in the kitchen, and, of course, the Caretaker staring you down. The premise of this maze is one that is truly chilling after you watch the video and get into the maze. You enter through the front door into a room with a piano, which appears to be playing itself. To the right, there is a dark corner, you can't really make out what's there, but before you find out a ghoul leaps out. You wander the corridors of a ragged house: wallpaper tearing and old family pictures crooked. As you turn the corner and prepare to enter the kitchen, a body dangles by a noose in a deep closet that gives the actor something to hide in. The kitchen is a grisly scene. Bodies strewn everywhere, mad doctors behind blood stained curtains, and even a mutilated body that looks fake but is actually an actor. You exit this area into the pantry, one of the shelves with food slides back and reveals an actor that produces a loud burping sound. From here there are a series of zig zag pathways. At the end of each path there would be a dimly lit scene. In the dark paths, there were free-roaming actors (some with chainsaws) and wet body bags. After more halls, you enter a courtyard with small cells and troubled people wandering the yard. You reenter the final leg of the house. The background music, which was faint before, was now getting more intense. You could hear what it was saying now, it was the Caretaker discussing evil and how to disassemble a body. It intensified and ghouls came out of every dark corner. An actor peeked out of a wall of face skin. As I came to the end I saw the Caretaker ahead of me his infamous tool. All of a sudden he lurched forward, but I soon realized I was looking at a mirror and he was actually coming up behind me. As he snapped his tool, he proclaimed, "Your time has come! We exited the maze, and there was an employee asking everyone if they were ok. We decided to give the maze another go since that was probably as short as it would get all night, which now had a wait of 45 minutes. By now, a sideshow act was going on in line. It was a reptile man whose main act was to have a snake go through his nose and out his mouth. He also did such acts like escaping from a straightjacket and getting darts thrown into his back.

From these vids I got Periwinkle by the Noveltones, Promenade Polka from Westway Studio Orchestra and some random space song I don’t know of

Edit: never mind.

From hhnlife’s myspace

Anyone have any scans or pics of the magazines inside? Or even Universal magazines that had sections relating to Halloween Horror Nights?

From Dean Karr’s myspace. All from Charles Bremer. First two were of the commercial set, third is a publicity photo of Bryce Ward as the Caretaker.

It’s odd that there are these detailed sets and the commercials doesn’t really show the grand scale much.

In the first video; you could see some small glimpses in the 0:57 and 3:49 marks; and in the second video; 2:04 and 3:47 marks.

From here: https://www.curtishopkinsdesign.com/project-page-1

Universal Studios | Halloween Universal Studios Halloween Horror Nights’ character, the Director, was brought to life in this integrated campaign that won a 2007 Reggie Award. To make this sociopath seem as real as possible, amateur-style webisodes were shot in-house and we created a MySpace page with constant updates and rambling blogs from the Director. Obtained these vids and images through the website of Creative Director/Writer Jim DiPiazza. By Hive24Design. https://www.donaldandrews.tv/universal-studios-halloween-horror-nights-the-director I can’t share it directly here; but the link above shows the official commercial with the tag line “Will You Make the Cut?”. Editor CLIENT: Universal Studios AGENCY: David&Goliath Los Angeles Chief Creative Officer: David Angelo Associate Creative Director / Art Director: John Figone Creative Director / Copywriter: Jim DiPiazza Senior Producer: Maresa Wickham Assistant Producer: Jane Krull PRODUCTION COMPANY: Dean Karr Director: Dean Karr EDITORIAL COMPANY: Spinach Editorial Commercial Editor: Donald Andrews Web Content Editor: Adam Bright Assistant Editor: Art Castle

Reel Loco’s notes: As scripted, boarded, and shot, the idea was bifurcated into two spots, both offering a similar shock of demonic transformation prefaced by aspirational politicking. The first spot was an online and in-part only teaser while the second was a 30sec main TVC for full release that detailed a more thorough demonic transformation. The teaser opens with a family at home watching our anti-hero Jonah Goodwill give a campaign speech, then we follow him as he leaves the TV studio and eery and unsettling things happen! The main spot begins with Jonah on the way to a victory reception, complete with red carpet and crowds of cheering fans. Only once he's inside, all hell breaks loose! When it came time to do a director's cut, we felt that combining the two separate stories into one unified spot would tell a stronger story. That was the outline for our approach to the cut along with the desire to add in some other shots and effects to exaggerate the uneven cadence of the edit and give it an edgier and more frightening feel, plus we included an explosion. This project had many tricky technicalities that was a treat for us to work on as a team. It was a significant milestone to conquer and learn from pre-shoot to post. Universal Studios Singapore's (USS) brief was the graphical introduction of a singular "Minister of Evil". Reel Loco had to come up with the story of how the character would introduced into Halloween Horror Nights 2014. Shot on a blue screen with multiplied characters, the production team had to plan construction of the boarded stairs and how they would fore-fit into animation effects. Multiple tests had to be simulated to achieve the right make up plus graphical combination. The spread wings, cityscape and cracked follow-frame floor with flames were all built in post production. We were privileged to be able to work with the gifted costume and make-up team from USS that made the animation process so much more enjoyable. Client: Resorts World Singapore Director: Shaun Yeo Motion Graphics: Tan Chee Hong, Suhaimi Hanafi, Xin Tse, Zubaidah Bartia Edit & Color Grade: Matthew Knoch Smoke Artist: Jane Looh

Can I change the title to “Advertisements for HHN”? Anyway, these are credited to Jess Punch, who played the icon “Daughter of the Undead” for Singapore’s event in 2013 (and so that character is the forefront for most of these; which are behind the scenes shots of the commercial and publicity photos.

I looked on Flickr to see if they had any images; and by the looks of it you’re right. (Credit to “Daniel”, “coasterdave” and “teatoe”.)