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The kind of modern response our marketing team is looking for. You’ve inspired a new commercial! Well, you and OK Soda. https://youtu.be/U5_MuBQDy44

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ICE NINE KILLS 2: Welcome to HorrorWood Are you misunderstood? Are you more bad than good? Welcome to HorrorWood, where anyone would kill for a callback. LA Police are on the lookout for Ice Nine Kills frontman Spencer Charnas, who is suspected of murdering his girlfriend in cold blood. Found at the scene of the crime was a mask and a CD, hand-labelled Welcome to HorrorWood, containing audio reminiscent of several horror movies. Investigators believe the disk to contain hints to other murders Charnas has potentially committed, with the film of reference being a reference to how the victims were murdered. Those with weak stomachs are advised to tune out now, as the murder scenes can and will be gristly. I have seen less of these movies than I did the first Silver Screams album, so a lot of these are probably rather inaccurate. As with my first INK house idea, a lot of the characters will be captain ersatz'd with legally distinct variations, and the IX will be hidden throughout scenes. ROOMS: Facade: A live recreation of the Horrorwood album cover. As guests walk up to the street, the hills of "Horrorwood" visible as a giant matte painting, the music plays previous Ice Nine Kills songs, and alternative versions of songs from WtH (Orchestral and Aucoustic). However, between the two buildings the audio switches to a loop of Opening Night. Opening Night: Guests enter a building and find a homicide detective puzzling over a theory wall, images of grotesque movie scenes, photos of band members, and a few easter egg photos connected by pin and string. as guests get to the end of a hall, an image drops and a killer wearing an INK mask (the one with the roman numeral IX over the eyes) stabs at guests with an icepick. Welcome to Horrorwood: Guests enter a room whose walls are decorated with portraits of film directors, horror memorabilia, and masks. Spencer's silhouette can be seen in a room over, as he writes the songs, before getting frustrated and picking up an ice pick and leaving. In the next room, with walls covered in sheets of lyrics, music, and music video scripts, is a woman's body, stabbed to death numerous times. Charnas will emerge from a wall with a pick. Leaving through a curtained door, guests find police investigating the house. One will emerge from the bushes, holding the INK mask in front of his face, in reference to Officer Dewey providing a similar fakeout in Scream. A Rash Decision: From a Beverly Hills home to a log cabin bathroom, guests walk past a sink covered in blood and a two-way mirror with a woman with a horrible rash on her face picking off her skin. In the next scene, necrotized rash victims are on the floor (and... almost anything else but the main body is like, on the floors or furniture), and a man shoots his friend, a puppet of a guy practically melting into the corner, which shoots "blood" as the shotgun "fires". Another rash victim will rush guests into the next room, scratches on her arm revealing bone. As guests exit the cabin, they find a woman, still alive, fallen to pieces, a dog eating her lower torso. She reaches for the guests with her one good arm, and the man with a shotgun emerges from the other side, his lower jaw falling off from rash. Assault and Batteries: In a city apartment, guests pass by a human-sized INK Doll box, which contains a homicidal Charnas Doll. The doll will break through the box, stabbing at guests. In the living room, guests see a corpse of a woman, her neck on the tracks of a toy train, and a son holding her head, smiling evily. Charny will attack guests with an axe. Leaving the apartment, guests find themselves in the ruins of a toy store. Surrounding them are walls of INK Doll boxes, some containing dolls and others containing scaracters. As lightning crashes outside, a horde of Charny dolls on a cart will charge forward while guests enter the next scene. The Shower Scene: In the next scene, Spencer greets guests at the office of a motel. The walls are covered with taxidermy and paintings of Norma Bates, and everything is black and white. From one of the Norma paintings, eyes can be seen peering from the painting's eyes. Then guests find themselves in the Bates house attic, where a lighting fixture swings, making it appear that the corpse of Norma is laughing at guests. Finally, guests find themselves walking through a shower. On the curtain, guests can see a shadow approach, and Spencer, dressed like Norma, attacks guests with a knife. Funeral Derangements: Guests find themselves leaving the Bates Motel on a dark highway. A semi truck will light up, blaring its horn, and drive towards guests. Then guests enter a pet "semetery", where Spencer is waist-deep in a grave, digging into the dirt with a pickaxe. From behind a crude tombstone, a feral cat animatronic lunges at guests. Entering the next room, guests see a procession of children in animal masks, and a zombie child stabbing an adult. One of the masked children will attack the guests. Rainy Day: Guests find themselves in the lobby of the LAPD office, except the building has been trashed and the lights are flickering. A pair of double doors is barricaded by a board through the handles, yet the zombies on the other side have nearly broken their way through. Guests go past the desk into a lab, where Jill fires a pistol at several zombies that have broken through an observation window. A licker-esque zombie will lunge at guests from behind a cabinet, and guests find themselves in a room full of mutating corpses. On a catwalk above the corpses, Wesker strangles Chris with his tentacles. From behind a terminal on the other side of the room, a Nemesis will lunge out. Hip to be Scared: Guests find themselves in a bedroom where someone was filming snuff porn. Two women are laid out on a bed, or more accurately, their body parts are scattered on the bloodied sheets, and the bonewhite walls are splattered with blood and gore. Spencer, playing the role of Patrick Bateman, will emerge from a closet, swinging an axe at guests. Then guests find themselves in Paul's apartment newspaper lining the floor. As they walk around the doped-up Paul's chair, Spencer approaches him from behind, wearing a bloodstained rain jacket. "HEY PAUL!" As the axe swings, Paul doubles over, and "blood" sprays on guests. Exiting the living room, guests find themselves in a room full of hanging drycleaned suits and seranwrapped corpses. As they push their way to the exit, Spencer, wearing nothing above the waist and probably nothing below the belt (the scaracter is probably wearing pants but his lower body is covered by the bannister), shouts at guests before dropping a chainsaw onto guests. The chainsaw is on a cord, and will stop above guests, before being reeled back to the Spencer scaracter's reach. And it's probably a fake chainsaw, what with the gas fumes a real saw would have. Take Your Pick: Guests find themselves passing the front office of the Hanniger Mines. On the side wall, "SOON HEARTS WILL BE BROKEN AND THE DAMAGE SEVERE/YOU'LL FALL HEADLESS OVER HEELS ONCE THE 14TH IS HERE" is written in blood, lit with UV lights, and a heart rests in a box of chocolates. Hanging through the window is a victim of Harry Warden, who will come alive and reach out to guests, begging for help. From behind the bushes, however, Harry Warden will attack. Guests then enter a cave where a party was abandoned, littered with solo cups, beer cans, and other rager party detritus, and on the wall is another poem, "ROSES ARE RED AND VIOLETS ARE TOO/THEY'LL NEED YOUR DENTAL RECORDS TO IDENTIFY YOU". Through a door, guests can see a Harry dummy, but from another door emerges a man whose face has been fractured by Warden's pickaxe. Warden will emerge from behind the victim and pull him back. Then, in the mine showers, Guests see a woman impaled on a shower faucet, the shower head still running. As guests exit the showers, Harry Warden shoots at them with a nail gun. The Box: Guests find themselves in a burning church, a glowing opened Lament Configuration, Pinhead behind the pulpit with nails in his palms. Exiting the room, guests witness Butterball flaying a victim pulled taut with chains. Rushing from a wall covered in flesh, Spencer rushes at guests, peeling the skin off his head. Guests then find themselves in Hell, surrounded by chains, spiraling pillars of flesh and gore, and overlooked by (a matte painting of) The Leviathan. From behind the pillars, Pinhead will attack with a bloodied hook. F.L.Y.: Guests find themselves in a trashed laboratory, two telepods flashing. From behind a messy counter, a mutated Spencer emerges, wearing a labcoat, dripping green slobber from his mouth, his skin oddly colored and warty. Then guests enter a room and find a man, skin dissolved by acid dripping from above, screaming in agony. As he begs guests for help, a further mutated Charnasfly pops down from the ceiling. Back in the lab, Charasfly has started to merge with his machinery, the puppet screaming and writhing in pain. At times, a giant, grotesque mutant fly limb will reach out and try to grab guests. Würst Vacation: Guests emerge from the lab, into a German gentleman's club. A woman auctions off guests to enthusiastic bidders, with one "claiming" his reward at the end of the scene. Guests then find a man slicing open a victim on a table, butchering him for meat. The victim begs for help, but the victim shuts him up, humming along to the song. The guests then find themselves in a room full of hanging corpses, and two living victims. A torturer takes a drill to one, and another prepares to slice into the other victim, but instead turns their knife to the guests. Ex-Mørtis: The scene turns to the den from the Evil Dead cabin. From the windows, guests can see Deadite Linda dancing, and Henrietta will bang on the cellar door, demanding release. This distracts guests while Cheryl and Scott attack from behind the furniture. Going through the door, guests find themselves in the kitchen, where Spencer/Ash cuts his arm off with a chainsaw, splattering guests with water. Guests then proceed down a hallway of dirt into a cellar, where Henrietta has transformed into a grotesque monstrosity. From behind a bookshelf, a Deadite Ash will attack guests with his chainsaw. Farewell II Flesh: Guests find themselves in a dimly lit bathroom covered in blood, with the image of the Candyman flashing in the cracked mirror. Suddenly the mirror opens along the middle, and Candyman's hook swipes at guests. The next room is pitch-black, but buzzing accompanies the music and shots of air make it feel like bees are attacking. The walls, as dark as it is, are waxy golden honeycombs coated with amber slime. Guests then find themselves in a burning room, the only way out through the mouth of a mural of Candyman. However, from the fire, Candyman emerges to take a final swipe at guests. Finale: Guests pass by a police lineup of Charasfly, Spencer Bates, Ash Spencer, and Harry Warden, with a Spencer wearing the Silence mask in the middle and closest to the glass. Opening Night loops once again. At the exit, Charny and Spencer Bateman attack guests with a knife and an axe, respectivly. Can you guess which of these movies I haven't seen and relied on TV Tropes for ideas? There's like... 9 oh god, I bs'd 9 segments in an ice nine kills house

I’d love to see PsychoScareapy back at the event. Here is an original concept and artwork I came up with!